Hearts of Glitter

I'm beginning to blog using the WordPress platform, so please click here to see my full Art Glitter article about embellishing some cute little heart boxes with gorgeous glitter!

Playful Penguins Process, part 2 - the finale

And the penguin saga continues! My last post ended with a couple of pics of the penguin mock-up with the straw and glass. The following picture shows my penguin nestled in the middle of the inner tube. I placed it in the inner tube to estimate how I should shape the penguin's wings, shown here as wire mesh covered with some masking tape.

Here's the penguin with it's first layer of Apoxie Sculpt.

And here is my second attempt at the under structure for the inner tube. My first version was getting too big and too heavy, so I started from scratch for the inner tube. This time I used colored plastic wrap wound over a circle shaped wire.

And here my penguin is getting accustomed to the newly constructed inner tube.

Now my penguin and inner tube are covered with a coat of gesso, ready to be painted. I painted the cup and straw first, since I was anxious to try my epoxy resin for the "liquid' in the glass.

And here he is! Lounging the day away on his brightly polka-dotted inner tube!

Ahhhhh.....he's enjoying his day! :-)

My Playful Penguin hopes you are enjoying your day as much as he is enjoying his!

Missed "Playful Penguin Process, part 1"? click here

Playful Penguin Process, part 1

Here's a peek at how I created my Playful Penguin piece that's lounging on a polka-dotted innertube.

For the inner tube under structure, I used some wire to shape it into a circle. Then, I covered it with some scraps of gripper liner and aluminum foil.

Here's the inner tube under structure, with the penguin's under structure, which is a burned out light bulb. The white material on the bulb is a type of paper mache medium.

After covering the inner tube structure with foil, I covered it with a layer of paper mache medium.

And here is a mock-up of my penguin drinking from a glass with a straw. I used some sculpey clay to shape a mock glass and beak and inserted a wire to form the straw. The sunglasses shown here are the original glasses that I then made into a mold to make sunglasses with resin.

Here's a close-up view of my penguin/straw & glass mock-up. Stay tuned for my next post featuring more work in progress pics along with the finished piece all painted and glazed.

Stop by my facebook fan page album titled "Works in Progress Step by Step" to take a look at other pieces I've worked on. And please don't hesitate to become a fan of my Lilly Bug page. :-)

Life of an Artful Pen from beginning to end, part 3 the "finale"

Ta-da, it's the "finale" of my Artful Pens in process series. Now you can see my Bee Artful Pens "buzzing" through my blog in living color. But first things first. My last entry ended with the process of mold-making. Now I'll discuss what happens after the molds and castings are made.

The photo above shows my bee pieces attached to the pen clip with some strong glue. Note, the pen clip was first covered with a layer of Apoxie Sculpt to ensure a good foundation to build my design upon. And the beauty of Apoxie Sculpt is that it adheres to itself and beomes a "solid" piece after being placed on another piece. This characteristic of Apoxie Sculpt ensures that my design is solidly attached to the pen clip.

After I attach the bees to the pen clip with glue and I patiently wait for the glue to set, I go back and fill in any "open" areas with some Apoxie Sculpt. To help smooth out the Apoxie Sculpt, I use some water on my fingertips. This can be a sloppy/drippy process. If I get any drops of water mixed with some Apoxie Sculpt on the pen surface, it will be permanently be there once it's cured. And that's not the result I want to end up with. Thus, I use a clear sheet of plastic beneath the pen clip to help prevent drippy drops from messin' up my pen surface. Another method I recently used to prevent this messy problem is using a coat of liquid mask on the pen cap surface. It's a bit smelly, but works pretty nicely and after I'm done with the pen, the liquid mask peels away. You can see the liquid mask "in action" in the next couple of photos. That gummy yellow looking surface is the liquid mask safely protecting the pen surface.

There's the liquid mask on the pen cap of a bee piece that just went under the Dremel treatment. I try to clean up and smooth out the surface of my pieces when needed. And my Dremel stone grinding bit works wonderfully to tackle this cleaning task.

In the photo above, I used a yellow colored Apoxie, to touch up areas on the bees. Yes, Apoxie Sculpt comes in a few different colors, but my preference is using the neutral gray color for most of my work.

After the Dremeling is completed, it's time to put a coat of gesso on the surface. This helps me see if there are any remaining areas that need to be cleaned. Plus, it provides a nice surface/foundation to start painting.

So, now comes the fun part, the painting. The pens go from this:

. . . to this, pens with a colorful coat of paint . . .

. . . and finally, pens coated with some glaze to protect the painted surface.

What pen design is your favorite, A, B, C or D? Please comment below.

One other thing I wanted to share is that one of my spotlights that I created at the ByHand site is featured at the ByHand Gallery blog. Yay!!! Stop by and check it out. I created a spotlight of some the adorable and colorful items from some of my "hearted" Etsy stores.

Life of an Artful Pen from beginning to end, part 2

In my last post I demonstrated how I make my Artful Pens up to the point where I make a silicone mold of my original piece. And now the demo continues into the fun and challenging and sticky, messy process of working with silicone. Yay!

Here's my bee piece all ready to go under the silicone treatment. The next photo is the silicone I use. It comes in two parts. To make a mold, I scoop out equal amounts of part A (white) and part B (blue).

After scooping out equal parts I then mix both parts together, making sure it is mixed evenly and done quickly. The silicone material sets quickly, so time is not your friend during this process. Once it's mixed evenly, I immediately press the silicone into the more detailed areas of my piece and the "deeper" areas on the surface. This is done in a thin quick layer to make sure the detail "sets" before the silicone cures. When I'm at this stage of the process, I always feel like I'm on some game show where you need to beat a clock counting down the seconds. I'm in a "hurry, hurry" mode and I try to work "lickety-split." There is no going back once the silicone is mixed and when it sets/cures, that's it, the time buzzer blares and you're outta luck.

After this first layer, I go back over it with a second layer to make sure the mold is thick enough. However, do not go too thick, otherwise you are just wasting your precious silicone, which does not come by cheap. And sometimes after I release the original piece from the mold, I hold it up to the light to see if there are any patches of light peering through my newly crafted mold. After making oodles of molds, I've gotten a better idea on how to make my molds and knowing a good thickness. It's hard to suggest a specific amount of thickness, as this depends on the size and detail of each individual piece. However, I would say that approximately a 1/8" thickness would be a good rule of thumb.

The above photos show some pieces cast with Apoxie Sculpt. The first photo shows the Apoxie pieces as they're done curing and just before being released from the molds. And the next photo reveals how each piece looks after being released from the molds. Don't you want to start mold making now?

Stay tuned for the next post featuring the next phase in the life of an Artful Pen, it should be "colorful"! :-)

Life of an Artful Pen from beginning to end, part 1

I wanted to try to give you a glimpse into how I make my Artful Pens.

So here goes.

The photo above shows 4 of my pens at different stages of it's "life." Pen "A" is the pen before it is embellished, when it is "born." Pen "B" is what the pen looks like after I add the first round of Apoxie Sculpt. During this phase, I want to make sure the pen clip is completely hidden from view. This also gives me a better foundation to build my designs off of. You may notice that I also attached something to the top of the pen cap. This is my little ladybug, which is my "mascot"/theme for my business and my line of work. Within the ladybug I inscribe my initials "CL." Pen "C" is at the stage when I attach my design to the pen itself. And Pen "D" is when my design is coated with a layer of gesso just before painting.

The first photo shows a pen with balls of Apoxie Sculpt. I measure out equal parts of part A and part B of Apoxie Sculpt and then mix both parts together for at least two minutes to ensure that it is mixed thouroughly. If it is not mixed thouroughly, it won't cure/harden properly, not fun. The second photo shows my pen along with a few original pieces made from polymer clay. These "originals" will be used to make silicone molds.

The two photos above show how I prepare my pieces to be made into molds. I use either clear pieces plastic or thin pieces of cardboard that I save from packaging. There's nothing more exciting than to have a package that can be used to help you out with your projects. I prefer using the plastic since you can see through it. Anyway, I get my plastic and cardboard stash and find sizes that will work well for each piece. Then I grab the good ol' glue gun and add a dollop of glue to my piece and carefully position it on the plastic backing.

Using the backing helps to achieve an "even" edge to the mold. And when I say "even" I use the term very loosely. The photo above shows a few pieces all ready to be molded with silicone.

Stay tuned to my next blog post when I show how I make the molds from silicone.